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Arabesque, released in the humid after azâ€™s September, 2001 live feed, paints us a portrait of an untried, vulnerable az, willing to sustain extraordinary duress. The distilled Arabesque brings az to tears repeatedly as sheâ€™s taken thru a series of ballet-like postures and exercises. After all, the arts are a shape of torture, and in Arabesque, torment becomes a shape of art. Az commences in stance one, locked into iron toeboots and a thick iron collar. A harness constricts her waist, and her arms, trussed highly taut behind her back, pull back her shoulders, shoving out her breasts. Her weight rests on her cunt, cradled by a iron â€œsaddle.â€ Protruding from the slit of the iron saddle, her pleasure button is a prime target for a massager that, remarkably, causes az to laugh. As a decoration in the background, 828 makes her very first of many Insex appearances. az then learns to walk in the toeboots, her neck shackled to a rotating arm. She nearly suspends herself attempting to ease off her tormented feet. Her mascara runs as her tears flow. Not even a flog can take her mind off the painful pain in her feet. Corded with one foot hiked behind and corded by the toe to her hair, az is confined on one toe by wrists trussed above her head. It shoves her puss and titties outward, causing ungodly tension on her body. From this, she heads to a frog-tie so extraordinary that her toes nearly knead her elbows. The next stance is az on her back, with her knees brought forward and trussed near her shoulders. Sheâ€™s a human Gordian knot. As donk plug, once inserted, causes her poon to ripple, petal-like. After so much contortion and strain, az sustains a lengthy flogging, her lengthy hair fallen down about her shoulders. Her tears stream. It makes you ache. Afterward, sheâ€™s left alone in silence. She stands, her assets with the lash that caused her so much agony. Her assets is perfect, her poon ripe, and her eyes have gone soft.