Catherine De Sade - Piss Bucket

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It embarked in 2007. She came thru the studio door primed and ready. She even prefer her nom de plume as the signature statement for what she craved. “Catherine De Sade” Its now 2009 and I’m ready. I have several choice lumps that she will have a ride in. The first-ever is the “throne” crafted out of Hemlock pine. Its composition is brilliant for hand implements and I wanted to build with only mortise, tenons, pegs, and slams for joinery. As a theatrical requirement this permitted it to be downright disassembled for transport. She is lead to the throne with her head tightly laced in a hand crafted leather hood with only nose holes. This will enlarge the awakening that she craves. Catherine loves to scene and does not want to know what is coming. She can always signal a stop — but I don’t remember her ever doing so. A real enthusiast is a deep compete for a handler, particularly layered with the recording process. Fortunately these cleaver hand crafted instruments will suggest supreme support. On the throne the fetters seize her ankles tightly. She will not be able to close her legs. For those areas that are not accessible the throne is lined with acute pegs that will enlarge her squirm. She waits. After a duo of hours of abandonment in the throne she will crave any attention. It starts — shots of the single tail on her unsheathed pubes. The trust and closeness that well toyed Bondage & discipline vignettes suggest is beyond all accolades. Many come back for more.