Insex - 6x6 (33's Pole) (33)
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33 tortured up close and intimate as she heads one on one with PD and a 6 X 6 post. She’s close enough to lick, every inch of her skin, her pussy, those gorgeous forms of her body. 33 is succulent, her boobies ripe like she’s new out of a French painting. You get to savour each moment of her anguish, tears, drool, screams, and welts. But it’s the nip clamps she hates. 33 begins in handcuffs. Thumbcuffs on her toes keep her gams secured around the post so that she can’t ramble far. She eats and this way, and . . .well, what do you think the newspaper is for? It’s in this state that she learns the basics – how to gobble a boot, how to fumble a cock. He tucks her face between his gams and tells her to make it “nice and big.” Bound with elbows tight together behind her back, her body, alluring, arrests the eye. She’s fixed to the post, naked, like one of the saints briefly to be martyred. But when her lengthy hair is trussed back to one ankle, her stance is of her head drawn grievously back, one ankle punched up. The bend of her bod is brilliant, one of Renoir’s dancers caught mid-step. It’s in this posture that he can leisurely inspect both her snatch and her pain. Rope, nip clamps, and the post. These are the worst of tantalizes when applied correctly. And 33 is heroic, encountering it head-on, puffies distended by clamps, her bod trussed in postures that maximize her misery. She massages his cock. He rubs her, the tips of his fingers wet from the tasty slime of her pussy. In the final position, she’s trussed to the post while lounging flat on a table, her puffies pinned and opened up outward to the table legs. Her hair is bound back to her wrists. Ramping up her torment, he lashes her, but then his fingers are in her cooch again. He extracts the clamps and cruelly massages each nipple. She screams. The table is taken away and she’s suspended gay-for-pay out from the post. As he massages her towards orgasm, 33’s bod wriggles in mid-air. Reminiscent of another painting, perhaps Bosch, and she’s one of the angels, contorted, lost in the horrifying throes of diabolical .
33 tortured up close and intimate as she heads one on one with PD and a 6 X 6 post. She’s close enough to lick, every inch of her skin, her pussy, those gorgeous forms of her body. 33 is succulent, her boobies ripe like she’s new out of a French painting. You get to savour each moment of her anguish, tears, drool, screams, and welts. But it’s the nip clamps she hates. 33 begins in handcuffs. Thumbcuffs on her toes keep her gams secured around the post so that she can’t ramble far. She eats and this way, and . . .well, what do you think the newspaper is for? It’s in this state that she learns the basics – how to gobble a boot, how to fumble a cock. He tucks her face between his gams and tells her to make it “nice and big.” Bound with elbows tight together behind her back, her body, alluring, arrests the eye. She’s fixed to the post, naked, like one of the saints briefly to be martyred. But when her lengthy hair is trussed back to one ankle, her stance is of her head drawn grievously back, one ankle punched up. The bend of her bod is brilliant, one of Renoir’s dancers caught mid-step. It’s in this posture that he can leisurely inspect both her snatch and her pain. Rope, nip clamps, and the post. These are the worst of tantalizes when applied correctly. And 33 is heroic, encountering it head-on, puffies distended by clamps, her bod trussed in postures that maximize her misery. She massages his cock. He rubs her, the tips of his fingers wet from the tasty slime of her pussy. In the final position, she’s trussed to the post while lounging flat on a table, her puffies pinned and opened up outward to the table legs. Her hair is bound back to her wrists. Ramping up her torment, he lashes her, but then his fingers are in her cooch again. He extracts the clamps and cruelly massages each nipple. She screams. The table is taken away and she’s suspended gay-for-pay out from the post. As he massages her towards orgasm, 33’s bod wriggles in mid-air. Reminiscent of another painting, perhaps Bosch, and she’s one of the angels, contorted, lost in the horrifying throes of diabolical .
Added: 2014-02-10 • Views: 214 • Duration: 57:33
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