Insex - Hydrophobia, Part One (Live Feed From July 2, 2005) (922, Harsh Girl)

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"Pity is the sensing which arrests the mind in the presence of whatsoever is grave and steady in human sufferings and unites it with the human sufferer. Despotism is the sensing which arrests the mind in the presence of whatsoever is grave and steady in human sufferings and unites it with the secret cause." James Joyce (1882-1941), Irish author. Stephen Dedalus, in A Portrait of the Artist as a Youthful Man, ch. 5 (1916). Outlining his aesthetic theory. In Hydrophobia, 922, or Harsh Girl as she’s known at Insex, stares into the eyes of the Secret Cause. This is footage of extraordinary nature, not in its violence, but in its purity, its divinity, begging answers to difficult questions. Just when does one cross the line out of the consensual? After witnessing this footage, how can anyone gravely try to define the essence of torture? It’s clear from the beginning, that 922 is having difficulty with hatch blockage. Tho' it seems to be hysterical, a answer to the head of Mr. Pogo that had been driven deep into her ass. She won’t tidy it off with her facehole and tongue. So he shocks her with the cattle prod until she agrees. A gasping answer comes out of nowhere. Out of the blue. So by the time that she’s draped in a cage, then dunked into the water tank, all hell cracks loose. She heads into hyper-terror, screaming. Please. Please. She says it wildly. She says it softly. Highly quiet. Satiate no. No. He droplets her in an inch. A half inch. This is fun, he says. Her despotism is sensational, frantic, sublime. She begs. She weeps. While down in the water, Her eyes are shut, her cheeks puffed out. Her face is closed, blank. In silence. Like a Buddha sitting in brilliant composure while contemplating that which “is grave and steady in human suffering.”