Insex - Interlude (Live Feed From July 13, 2003) (Spacegirl, Moonshine)
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Interlude is the edited footage of a live feed with Spacegirl and Moonshine, shot in three segments, July 12, 2003. The very first half of Interlude explores the imago and predicament restrain bondage of lengthy term containment. The 2nd half heads after Moonshine into the barn for strong bondage, torment, and pleasure. It starts with 2 damsels nude on a mattress, fettered to the wall. One wears a solid iron hood. The other wears a mighty iron head cage. The one wearing the iron bondage mask inspects its immutable surface with her hands, as however trying to understand it. The 2 damsels grope one another. They hold hands, seeking convenience in this unusual circumstance where they wait and wait. Upon a mantel rests a skull and torment devices, perhaps portraying the course of things to come. Then we observe a iron container. The doors are opened to unsheathe 2 damsels filled side by side within, separated by a iron grid. Once the hoods are removed, Spacegirl and Moonshine sit, waiting. Time is the enemy. It slurps into muscle, into the mind. The container is turned on its side so that now they are stacked, one above the other. They re-position, their nude youthfull flesh stark inwards so much metal. Iron plates are eliminated from the side and each girl’s head is extracted and bracketed in place. Spacegirl is slapped in the face repeatedly. They are both gagged. The iron grid is stiff on knees. Anguish mounts in small increments. Clothespins are positioned on tongues, ear lobes, and the septa of their noses. They wait. Now time is . Slobber cascades into the hair of the one below. The damsels help one another, finding a way to liquidate the clothespins. But with the clamps gone, the agony of their posture becomes paramount. Their torment rises. The gags are removed. More face slapping. But a fondle here and there inbetween the spanks creates compliance, willingness. The iron plates are unscrewed. They recoil into their containment, holey down by captivity. The 2nd part takes place in the barn. Moonshine is roped onto a chair. A cock-squeezing dark-hued leather bondage mask conforms to her face. She has only a small hole thru which to breathe, rocking with each breath as however it is a struggle. His shadow darkens her form as he . He fondles, kisses, plays with her breasts. Her soles are lifted to the front corners of the seat and roped in place, so that her knees are up and separated. When the bondage mask is removed, a clear plastic bag, freely fitted to the head and neck, is put in place. The plastic fogs from the moisture of her breath. A fuck stick heads inwards of her, its shiny dark-hued surface setting off her many stringing up twat rings. Clips pinch her nipples. He canes her pussy. Cord is looped however her twat rings and corded off around the protruding base of the fuck stick to keep it in place. The clear bondage mask is substituted by the cock-squeezing dark-hued leather hood, each lace pulled to meld it to her face. The bondage mask creates the feel that her head is an representation rather than a living thing. Her hands, pinioned together by the mighty leather strap, make concerned movements. She holds them together as however in prayer. And the caning starts again. Her flesh heads crimson from the bruises about her pussy. Her funbag is mottled by the whip. The Eroscillator appears. The maw of her cooch expands from excitement, ringed by labial jewelry. When she is incapable to come by the time he counts rearwards from ten, he turns off the hitachi and leaves. Then she is standing, legs spread, forearms corded back. The high neck corset on her neck keeps her chin up. One gam is corded to the plank behind her, perpendicular to her body. He shocks the bottom of her sole with a cattle prod that looks for all the world like the Devil’s fork. The hitachi returns, but a flog appears also. He uses them together. She moans and cries. He kisses her. She looks shell-shocked, her bright crimson funbag like a neon sign. She ultimately comes, her face a combo of and pain.
Interlude is the edited footage of a live feed with Spacegirl and Moonshine, shot in three segments, July 12, 2003. The very first half of Interlude explores the imago and predicament restrain bondage of lengthy term containment. The 2nd half heads after Moonshine into the barn for strong bondage, torment, and pleasure. It starts with 2 damsels nude on a mattress, fettered to the wall. One wears a solid iron hood. The other wears a mighty iron head cage. The one wearing the iron bondage mask inspects its immutable surface with her hands, as however trying to understand it. The 2 damsels grope one another. They hold hands, seeking convenience in this unusual circumstance where they wait and wait. Upon a mantel rests a skull and torment devices, perhaps portraying the course of things to come. Then we observe a iron container. The doors are opened to unsheathe 2 damsels filled side by side within, separated by a iron grid. Once the hoods are removed, Spacegirl and Moonshine sit, waiting. Time is the enemy. It slurps into muscle, into the mind. The container is turned on its side so that now they are stacked, one above the other. They re-position, their nude youthfull flesh stark inwards so much metal. Iron plates are eliminated from the side and each girl’s head is extracted and bracketed in place. Spacegirl is slapped in the face repeatedly. They are both gagged. The iron grid is stiff on knees. Anguish mounts in small increments. Clothespins are positioned on tongues, ear lobes, and the septa of their noses. They wait. Now time is . Slobber cascades into the hair of the one below. The damsels help one another, finding a way to liquidate the clothespins. But with the clamps gone, the agony of their posture becomes paramount. Their torment rises. The gags are removed. More face slapping. But a fondle here and there inbetween the spanks creates compliance, willingness. The iron plates are unscrewed. They recoil into their containment, holey down by captivity. The 2nd part takes place in the barn. Moonshine is roped onto a chair. A cock-squeezing dark-hued leather bondage mask conforms to her face. She has only a small hole thru which to breathe, rocking with each breath as however it is a struggle. His shadow darkens her form as he . He fondles, kisses, plays with her breasts. Her soles are lifted to the front corners of the seat and roped in place, so that her knees are up and separated. When the bondage mask is removed, a clear plastic bag, freely fitted to the head and neck, is put in place. The plastic fogs from the moisture of her breath. A fuck stick heads inwards of her, its shiny dark-hued surface setting off her many stringing up twat rings. Clips pinch her nipples. He canes her pussy. Cord is looped however her twat rings and corded off around the protruding base of the fuck stick to keep it in place. The clear bondage mask is substituted by the cock-squeezing dark-hued leather hood, each lace pulled to meld it to her face. The bondage mask creates the feel that her head is an representation rather than a living thing. Her hands, pinioned together by the mighty leather strap, make concerned movements. She holds them together as however in prayer. And the caning starts again. Her flesh heads crimson from the bruises about her pussy. Her funbag is mottled by the whip. The Eroscillator appears. The maw of her cooch expands from excitement, ringed by labial jewelry. When she is incapable to come by the time he counts rearwards from ten, he turns off the hitachi and leaves. Then she is standing, legs spread, forearms corded back. The high neck corset on her neck keeps her chin up. One gam is corded to the plank behind her, perpendicular to her body. He shocks the bottom of her sole with a cattle prod that looks for all the world like the Devil’s fork. The hitachi returns, but a flog appears also. He uses them together. She moans and cries. He kisses her. She looks shell-shocked, her bright crimson funbag like a neon sign. She ultimately comes, her face a combo of and pain.
Added: 2014-01-13 • Views: 86 • Duration: 1:31:00
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